A to Z, 3D in Photoshop CS3e By Ko Maruyama
In Adobe's Photoshop CS3, you can now import several different kinds of 3D geometry. However, there are some things that 3D veterans will find are still missing in the CS3 extended software. On the other hand, 2D designers will be pleased to see many features.
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MaPZone Challenges By Ko Maruyama
MaPZone is now free software which allows users to design their own unique procedural textures for 3D models. The exported texture fit perfectly into the ProFX pipeline to deliver textures to video games.
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Digital Media Online Announces Forum Rewards Program!
Digital Media Online (DMO, www.DigitalMediaOnlineInc.com) today announced the launch of their Forum Rewards program. This new program is designed to give back something to all the users who have helped make DMNForums a successful community where professionals can help other users in a free and easy community environment.
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Download: Texture Generators for Adobe Photoshop By Dave Nagel
In our last article on displacement effects in Adobe Photoshop, I mentioned that I'd try my darnedest to come up with an automated method for you to produce your own texture files. Well, gum if I haven't done it. Better yet, I'm not just going to tell you how to automate this sort of texture creation. Instead, I'm going to give you a set of fully automated generators--free for you to download and use as you see fit.
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Download: Displacement Maps for Adobe Photoshop, Series 2 By Dave Nagel
Displacement maps can be used in Adobe Photoshop to add both depth and texture to an image. We previously offered up a set of displacement maps designed just to produce depth effects--a set of gradients used to create wavy effects. This time around, we have a set of maps designed to add a little bit of depth and a lot of texture to the image--in this case, a crumpled paper texture.
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Download: Displacement Maps for Adobe Photoshop, Series 1 By Dave Nagel
Displacement maps can be used to create a wide variety of 3D or quasi-3D effects in Adobe Photoshop. The basic idea is that the luminance values of one image are used to define the bending and warping of another image. So, for example, you can use displacement to create crumpled paper, billowing fabric and other types of illusions of depth.
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MAXON PRESETS 011 By Emerson Velazquez
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week I've put together a tutorial on creating a simple texture that I've added to Emerson's BEACH materials. Download the materials here, then check out the tutorial to make your own.
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MAXON PRESETS 010 By Will Goodan
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week Will Goodan put together another spin supplying preset #10: FRESH MEAT
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MAXON PRESETS 009 By Will Goodan
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week Will Goodan put together another spin supplying preset #09
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MAXON PRESETS 008 By Will Goodan
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week Will Goodan put together another spin supplying preset #08
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MAXON PRESETS 007 By Will Goodan
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week Will Goodan supplies preset #07
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MAXON PRESETS 006 By Ko Maruyama
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week I've put together my own spin supplying preset #06
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Download: Photoshop Brushes Series 43 By Dave Nagel
This week we have another collection of brushes for Adobe Photoshop. But this time around, the new set is designed for brushing hair and fur effects onto your canvas, as well as creating stubble effects. As usual, the brushes are available for download free and can be used for commercial and non-commercial purposes alike.
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MAXON PRESETS 004 By Will Goodan
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week Will Goodan supplies preset #04
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MAXON PRESETS 003 By Emerson Velazquez
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week Emerson Velazquez supplies preset #03
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Download: Photoshop Brushes Series 42 By Dave Nagel
We arrive this week at our forty-second collection of brushes for Adobe Photoshop. This time around, we present 20 brushes designed to help you create mist and other vapor effects (such as clouds, fog, smoke, etc.). This collection, like the rest of our brush libraries, is available as a free download for use in commercial and non-commercial projects.
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MAXON PRESETS #001 By Jamal "Nimpsy" Qutub
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made.
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Adobe After Effects Presets #24 By Ko Maruyama
A bunch of DMN readers have started to put together some nice presets. We're still in a Particular frenzy - but it's a popular cause. These are actually project files, and not just Animation Presets. Some of the elements that we will feature here are simple, but others may rely on complex animations. Download the ones you want to, and see what we've done. Emerson has gone CRAZY - creating almost 40 presets in one session, here is part EIGHT of the series.
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Adobe After Effects Presets #23 By Ko Maruyama
A bunch of DMN readers have started to put together some nice presets. We're still in a Particular frenzy - but it's a popular cause. These are actually project files, and not just Animation Presets. Some of the elements that we will feature here are simple, but others may rely on complex animations. Download the ones you want to, and see what we've done. Emerson has gone CRAZY - creating almost 40 presets in one session, here is part SEVEN of the series.
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MAXON PRESETS 002 By Will Goodan
Sometimes the best way to learn something is to deconstruct a completed project. In this series of presets, a team of DMN readers got together to make some CINEMA4D textures. While the materials are mostly based on simple parameters, it may help you to understand how a texture is made. This week Will Gooden supplies preset #02
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Keep your camera rolling with Sony Mobile Storage for XDCAM EX Camcorders. Offload SxS memory cards onto 240GB HDD removable cartridges and accelerate your workflow on the go. Click Here!!!
AV-HS450 16+ Input HD/SD Switcher w/ dual screen MultiViewer This 16+ input switcher is the best value in its class. Its exclusive dual screen MultiViewer lets you view up to 20 windows on just two displays. CLICK HERE!!!
polymer battery all in one neat device. Plug the P-Flip into your computer to charge its battery, then plug your iPhone into the P-Flip, and it charges the iPhone battery.
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After years of hype, Apple, Inc. today introduced the iPad, a portable computing device that looks like a big iPhone. Introduced today by Apple CEO Steve Jobs, the iPad features a touchscreen keypad, wireless capability, the capability to run all iPhone applications, all in a form factor that fits in between an iPhone and a MacBook. With the iPad, you can play movies, load maps, view photos, update your calendar, basically do the same things as on an iPhone, and more.
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When it comes to choosing between Plasma and LCD, it's important to shop in the mindset that one high-def TV is not necessarily better than another - rather, it's a question of which one is right for you. That said, it can be a tough call to make when all that meets the eye are sleek screens and vibrant pictures - are Plasmas and LCDs really that different?
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The Tritton AX 180 universal gaming headset is designed to work with the three major gaming platforms (Wii, xBox 360, and Sony PlayStation 3, via analog inputs), but also with both Macintosh and Windows based computers.
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